Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Wednesday, January 28, 2026

Favorite CHARLES DICKENS Movie and Television Adaptations

 











Below is a list of my favorite movie and television adaptations of Charles Dickens' novels and stories:




FAVORITE CHARLES DICKENS MOVIE AND TELEVISION ADAPTATIONS









1. "Our Mutual Friend" (1998) - Directed by Julian Farino and adapted by Sandy Welch, this four-part BBC miniseries is a television adaptation of Charles Dickens' 1864-65 novel of the same title.















2. "Bleak House" (2005) - Andrew Davies adapted this 15-part television adaptation of Dickens' 1852-53 novel for the BBC. Justin Chadwick and Susanna White directed.

















3. "Dombey and Son" (1983) - Directed by Rodney Bennett and adapted by James Andrew Hall, this 10-part BBC series is an adaptation of Dickens' 1848 novel.



















4. "David Copperfield" (1935) - Produced by David O. Selznick and directed by George Cukor, this MGM film is an adaptation of Dickens' 1850 novel, "The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger".


















5. "A Christmas Carol" (1984) - Clive Donner directed this 1984 television movie, which is an adaptation of Dickens' 1843 novella. Roger O. Hirson adapted the movie.



















6. "Bleak House" (1985) - Arthur Hopcraft adapted this 8-part television adaptation of Dickens' 1852-53 novel for the BBC. Ross Devenish directed.

















7. "Little Dorrit" (2008) - Andrew Davies adapted this 14-part television adaptation of Dickens' 1855-57 novel for the BBC. Adam Smith, Dearbhla Walsh, and Diarmuid Lawrence directed.























8. "Great Expectations" (1999) - Directed by Julian Jarrold and adapted by Tony Marchant, this 4-part BBC series is an adaptation of Dickens' 1860-61 novel.




















9. "A Tale of Two Cities" (1935) - Produced by David O. Selznick and directed by Jack Conway, this MGM film is an adaptation of Dickens' 1859 novel.



















10. "Great Expectations" (1981) - Directed by Julian Amyes and adapted by James Andrew Hall, this 12-part BBC series is an adaptation of Dickens' 1860-61 novel.



















HM: "Oliver Twist" (1948) - Produced by Ronald Neame and Anthony Havelock-Allan, and directed by David Lean; this old British film is an adaptation of Dickens' 1838 novel.

Sunday, January 25, 2026

"THE MEN WHO STARE AT GOATS" (2009) Review

 












"THE MEN WHO STARE AT GOATS" (2009) Review

Grant Heslov directed this comedic adaptation of Jon Ronson’s 2004 book about the U.S. Army's exploration of New Age concepts and the potential military applications of the paranormal. The movie starred George Clooney as one of the participants in this program and Ewan McGregor, who portrayed a journalist who stumbles across the story, while reporting on businesses with military contracts in Iraq.

One of the surprising aspects about "THE MEN WHO STARED AT GOATS" is that its story is based upon fact. According to author Jon Ronson, there was actually a similar unit actually existed within the U.S. Army called the Stargate Project. The film featured a different name for the units . . . and had probably changed some of the facts, but the Army did explore New Age concepts and military applications of the paranormal. "THE MEN WHO STARED AT GOATS" followed McGregor’s character, a journalist with the Ann Arbor Daily Telegram named Bob Wilton. After an emotional divorce from an unfaithful wife, Bob goes to Kuwait to report on the Iraq War. He stumbles upon an interesting story when he meets a Special Forces operator named Lyn Cassady during a trip across the Iraqi countryside. During the road trip, Cassady reveals his participation in an Army unit that trained to develop a range of par psychological skills by using New Age concepts. The unit ended up being named the New Earth Army. While the pair endured a journey that included encounters with a gang of Iraqi criminals, a kidnapped victim of the criminals, the head of a private security firm named Todd Nixon and two rival groups of American contractors who engage in a gunfight against each other in Ramadi.

During Wilton and Cassady’s journey, the latter revealed the story behind the creation of the New Earth Army and its founder, a Vietnam War veteran named Bill Django. The latter had traveled across America in the 1970s for six years to explore a range of New Age movements (including the Human potential movement) after being wounded during the Vietnam War. Django used these experiences to create the New Earth Army. Django’s recruits ended up being nicknamed "Jedi Warriors". By the 1980s, two of Django's best recruits were Cassady and Larry Hooper, who developed a lifelong rivalry with the former because of their opposing views of how to implement the First Earth philosophy. Cassady had wanted to emphasize the positive side of the teachings, whereas Hooper was more interested in the negative side of the philosophy. Wilton and Cassady’s journey ended when they locate a military base in the middle of the desert.

I must admit that I had not in a big hurry to see "THE MEN WHO STARE AT GOATS" when it first hit the theaters ten years ago. In fact, I never had any intention of seeing it. The only reason I went to see the movie in the first place was that I was desperate for something to watch. The Fall 2009 movie season had seemed pretty dim to me. Aside from "THE INFORMANT", I had difficulty finding a movie that appealed to me. And what about "THE MEN WHO STARE AT GOATS"? Did I find it appealing? Honestly? It was not the best movie I had seen in 2009. But I must admit that thanks to Grant Heslov’s direction and Peter Straughan’s screenplay, I found the movie rather humorous in an off-kilter manner. Some of the most humorous scenes featured:

*Wilton and Cassady’s flight from a group of Iraqi criminals

*The "Battle of Ramadi" between two American private security armies

*Bill Django’s six year exploration of New Age movements

*The results of Wilton and Django’s spiking of the Army base food with LSD.


At first, the movie’s approach to New Age religion and movements seemed inconsistent. The first half of the film treated the subject as a joke. However, once Wilton and Cassady reached the base housing the PSIC, Straughan’s script treated the subject with a lot more respect. It took me a while to realize that the story was told from Bob Wilton’s point-of-view. It only seemed natural that he would first view the New Earth Army and New Age beliefs as a joke. But after time spent with Cassady and later Django at the PSIC base, Wilton naturally developed a newfound respect for both topics. The movie also provided a slightly pointed attack upon the U.S. military presence in Iraq. Normally, I would have cringed at such protesting in a comedy. Fortunately, Heslov used humor – and very sharp humor at that – to mock American presence in the Middle Eastern country.

I think that Lyn Cassady might turn out to be one of my favorite roles portrayed by George Clooney. One, he gave a hilarious performance. And two, he also did a marvelous job in infusing Cassady’s role with a mixture of militaristic machismo and wide-eyed innocence. And despite his questionable American accent, I was very impressed by Ewan McGregor’s poignant performance as the lovelorn Michigan journalist (his wife left him for his editor), who traveled to Iraq to prove his bravery to his former wife . . . only to discover something more unique. Another joyous addition to the cast turned out to be Jeff Bridges, who gave a wonderfully off-kilter performance as Cassady’s mentor and founder of the New Earth Army, Bill Django. And Larry Hooper, the one man allegedly responsible for bringing down Django’s New Earth Army, turned out to be another one of Kevin Spacey’s deliciously villainous roles. The movie also featured performances that ranged from solid to zany from the likes of Stephen Lang, Robert Patrick, Nick Offerman, Waleed Zuaiter, Rebecca Mader and Glen Morshower.

"THE MEN WHO STARE AT GOATS" managed to earn less than $70 million dollars at the box office. Because it only had a budget of $24 million, it still managed to earn a small profit. However, it was not a hit film and it received mixed reviews. Perhaps the audience found the film's subject a bit hard to swallow. There is also the possibility that film goers found screenwriter Peter Straughan’s script use of constant flashbacks regarding the New Earth Army rather confusing. Personally, I rather enjoyed the movie. It never became a big favorite of mine, but I still found it entertaining and interesting.





Sunday, January 18, 2026

TIME MACHINE: Assassination of Archduke Franz Ferdinand of Austria (1875-1914)

 













TIME MACHINE: ASSASSINATION OF ARCHDUKE FRANZ FERDINAND OF AUSTRIA (1875-1914)

June 28 marked the 100th anniversary of the assassination of Archduke Franz Ferdinand of Austria in Sarajevo, Austria-Hungary (present day Bosnia-Herzegovina). Also killed was his wife, Sophie, Duchess of Hohenberg. Franz Ferdinand was not only an Archduke of Austria-Hungary, but also a Royal Prince of Hungary and Bohemia; and from 1889 until his death, the heir presumptive to the Austro-Hungarian throne.

The assassination had been planned by a group of assassins (five Serbs and one Bosnian) coordinated by a Bosnian-Serb named Danilo Ilić. The political objective of the assassination was to break off Austria-Hungary's south-Slav provinces so they could be combined into a Yugoslavia. The assassins' motives were consistent with a movement that will later became known as Young Bosnia. Also involved in the plot were Dragutin Dimitrijević, Chief of Serbian Military Intelligence; his assistant Major Vojislav Tankosić, and a spy named Rade Malobabić.

During a meeting held in January 1914, the group discussed possible Austro-Hungarian targets for assassination that include Archduke Franz Ferdinand. The participants eventually decided to send Mehmed MehmedbaÅ¡ić to Sarajevo, to kill the Governor of Bosnia, Oskar Potiorek. However, MehmedbaÅ¡ić ditched his weapons, while traveling from France to Bosnia-Herzegovina via the train, when the police was searching for a thief. Upon his arrival in Bosnia-Herzegovina, MehmedbaÅ¡ićhe tried to search for new weapons. When his searched delayed the attempt on Potiorek, Ilić summoned MehmedbaÅ¡ić and on March 26, 1914; informed the latter that the mission to kill Potiorek had been cancelled. The group decided to assassinate Franz Ferdinand, instead. Ilić recruited two Serbian youths, Vaso ÄŒubrilović and Cvjetko Popović on April 19, 1914; to kill Franz Ferdinand in Sarajevo. Unbeknownst to them, three Serbian youths living in Belgrade – Gavrilo Princip, Trifko Grabež and Nedeljko ÄŒabrinović – expressed an eagerness to carry out an assassination. They approached a fellow Bosnian Serb and former guerrilla fighter to transport arms to Sarajevo and participate in the assassination.

Franz Ferdinand, the Duchess of Hohenberg and their party traveled by train from Ilidža Spa to Sarajevo on June 28, 1914. Governor Oskar Potiorek met the party at Sarajevo station. Six automobiles were waiting. Three local police officers got into the first car with the chief officer of special security. Franz Ferdinand, the Duchess, Governor Potiorek, and Lieutenant Colonel Count Franz von Harrach rode in the third car. The motorcade passed the first assassin, Mehmedbašić, who had failed to act. Vaso Čubrilović armed with a pistol and a bomb, also failed to act. Further along the route Nedeljko Čabrinović, who possessed a bomb, tossed the latter at Franz Ferdinand's car at 10:10 am. However, the bomb bounced off the folded back convertible cover and into the street. The timed detonator caused it to explode under the next car, wounding 16 to 20 people. Čabrinović swallowed his cyanide pill and jumped into the Miljacka River, but his suicide attempt failed. The police dragged Čabrinović out of the river and he was severely beaten by the crowd before being taken into custody. Franz Ferdinand's procession sped away towards the Town Hall.


Franz Ferdinand and the Duchess returned to the motorcade at 10:45 am. and entered the third card. In order to avoid the city center, General Oskar Potiorek decided that the royal car should travel straight along the Appel Quay to the Sarajevo Hospital. The driver, Leopold Lojka, turned right into Franz Josef Street. After learning about the failed assassination attempt, Princip decided to make another attempt on the Archduke's life on the latter's return trip. He moved to a position in front of a delicatessen off Appel Quay. The Archduke's motorcade made the mistake of following the original route. Governor Potiorek, who shared the Imperial couple's vehicle, ordered the driver to reverse and take the Quay to the hospital. Lojka stopped the car close to where Princip was standing. The latter stepped forward and fired two shots from a Belgian-made 9×17mm Fabrique Nationale model 1910 semi-automatic pistol. The first bullet wounded the Archduke in the jugular vein. The second bullet hit the Duchess in her abdomen. Princip was immediately arrested. At his sentencing, Princip stated that his intention had been to kill Governor Potiorek, rather than the Duchess. Both victims remained seated upright, but died on the way to the Governor's residence for medical treatment. As reported by Count Harrach, Franz Ferdinand's last words were "Sophie, Sophie! Don't die! Live for our children!", followed by six or seven utterances of "It is nothing." These mutterings were followed by a long death rattle. Sophie was dead upon arrival at the Governor's residence. Franz Ferdinand died 10 minutes later.

Alfred, 2nd Prince of Montenuovo, Franz Joseph's Chamberlain, hated Franz Ferdinand and Sophie with a passion and with the emperor's connivance, decided to turn the funeral into a massive and vicious snub. He disinvited foreign royalty, the dead couple's three children were excluded from the few public ceremonies and only the immediate Imperial family attended. Even the Austro-Hungarian officer corps was forbidden to salute the funeral train. However, this was nothing in compare to the political aftermath of the assassinations.

Not only was Princip captured, but also his fellow conspirators. They were all tried and convicted by early 1915. Ironically, Princip, who had actually pulled the trigger, was sentenced to 20 years in prison, where he died from malnutrition and disease in 1918. Only three of the conspirators were executed on February 3, 1915 - Danilo Ilić and Veljko Čubrilović. Anti-Serb rioting broke out in Sarajevo and various other places within the Austria-Hungary Empire, hours after the assassination. Country-wide anti-Serb pogroms and demonstrations were also organized throughout the Austro-Hungarian Empire by Oskar Potiorek, the Austro-Hungarian governor of Bosnia and Herzegovina.

The assassinations produced widespread shock across Europe. There was a great deal of initial sympathy toward Austria. Within two days, Austria-Hungary and its ally, Germany, advised Serbia that it should open an investigation on the assassination, but the Serbian government responded that the incident did not concern them. After conducting its own criminal investigation, Austro-Hungary issued what became known as the July Ultimatum
, which listed demands made to Serbia regarding the assassinations within 48 hours. After receiving support from Russia, Serbia agreed to at least two out of ten demands. The government mobilized its troops and transported them by tramp steamers across the Danube River to the Austro-Hungarian at Temes-Kubin. Austro-Hungarian soldiers fired into the air to warn them off. On July 28, 1914; Austria-Hungary and its ally, Germany, declared war on Serbia. Under the Secret Treaty of 1892, Russia and France were obliged to mobilize their armies if any of the Triple Alliance (Germany, Austo-Hungary and Italy) mobilized. Russia's mobilization completed full Austro-Hungarian and German mobilizations. Soon all the Great Powers, except Italy, had chosen sides. World War I had begun.







Wednesday, December 24, 2025

"IRON MAN 2" (2010) Review

 












"IRON MAN 2" (2010) Review

I must say that I am grateful to the filmmakers of "IRON MAN 2", sequel to the 2008 blockbuster, "IRON MAN". I am grateful that they only waited two years to make this movie, instead of three years or more. But even if they had made the movie more than two years after the original film, I believe the movie proved to be worth any wait.

Some IRON MAN fans and film critics have expressed the opinion that "IRON MAN 2" was inferior to the original 2008 movie. I certainly feel differently. I believe that this movie was superior to "IRON MAN". Mind you, this new film had a few flaws. One, I was baffled by Tony Stark’s reluctance to join S.H.I.E.L.D.  I had assumed after the appearance of the organization’s leader, Nick Fury, in the original film’s Easter egg sequence, he would be eager to join. Even Tony’s appearance in 2008’s "THE INCREDIBLE HULK" seemed to hint this. So what happened? Is it possible that screenwriter Justin Theroux failed to see the last "HULK" film? One would think so. As much as I was impressed by Matthew Libatique’s cinematography, I must admit that I did not find it as impressive as his photography in the 2008 film. But I discuss this subject in greater detail, later.

”IRON MAN 2” may not have been perfect; but as I had stated earlier, I believe that it is superior to the first film. Do not get me wrong. I loved ”IRON MAN”. I still do. But in an article I had written some time ago about the Summer 2008 movies, its plot struck me as simple and a little unoriginal. I cannot say the same about its sequel. Thanks to Theroux and director Jon Farveau, "IRON MAN 2" focused upon the consequences of Tony Stark becoming and admitting to being Iron Man in the last film. During the six months since the end of the last film, Iron Man’s actions as a superhero has allowed him to maintain world peace. His actions have also attracted the attention of a U.S. Senate committee, led by Senator Stern, who demanded that Tony release the Iron Man technology for military application. Stark refused, claiming his competitors are years away from successfully recreating the technology. But more trouble seemed to plague Tony. The palladium core inside the miniaturized arc reactor that he had created to power his Iron Man armor and prevent the shrapnel from a disastrous Afghanistan trip in the last film from reaching his heart . . . was slowly poisoning his blood system. Foreknowledge of a possible early death led Tony to acts of excessive and dangerous behavior – including re-instituting the Stark Expo first initiated by his father back in the 1970s, appointing his personal assistant Pepper Potts as the new CEO of Stark Industries, in and participating in the Monaco Grand Prix, at the Circuit de Monaco.

It is in Monaco where Tony has his first encounter with Ivan Vanko, a Bratva member and Russian physicist who happened to be the son of another physicist and former Stark Industries employee, Anton Vanko, who was fired by Howard Stark and deported back to the Soviet Union. Anton Vanko had also worked on the original plans of the arc reactor with Stark Sr., but the plans remained in the hands of Stark Enterprises. Vanko Sr.’s death at the beginning of the movie sent Ivan into a spiral of grief, leading him to create his own suit containing an arc reactor. Vanko used his new suit to attack Tony at Monaco. The attack attracted the attention of another weapons industrialist named Justin Hammer, an arch-rival of Tony’s. Hammer arranged Vanko’s escape from jail and recruited the Russian physicist to design drones similar to the Iron Man armor for the Stark Expo.

Tony also has to deal with the return of S.H.I.E.L.D. in his life. Unbeknownst to him, the organization’s leader, Nick Fury had assigned one of his agents to infiltrate Stark Enterprises to assess Tony as a possible agent. His spy turned out to be Tony and Pepper’s new assistant, Natalie Rushman aka Natasha Romanoff. Although Fury has become reluctant to recruit Tony for membership in S.H.I.E.L.D., he managed to provide vital materials to the industrialist to allow him to develop a safe element for his arc reactor implant that also provides superior power.

One would begin to wonder if the screenwriters had dumped one too many plotlines in the movie’s script. Some critics have complained that the movie possessed one too many villains. I would disagree. "IRON MAN 2" simply had a complex plot that did not – in my opinion – struck me as difficult to follow. In fact, I believe that the plot’s complexity allowed the movie to be superior to the 2008 film. As for the number of villains, there were two – Ivan Vanko and Justin Hammer. "IRON MAN" also had two villains.

Robert Downey Jr. reprised his role as Tony Stark aka Iron Man. I am trying to think of something to say about his performance. But what is there to say? He was magnificent as always by skillfully portraying every aspect of Tony’s personality – both the good and the bad. Yes, Downey Jr.’s Tony Stark was a charming, caring, brilliant and strong-willed man. But he was also narcissist, egotistical, and somewhat self-centered. This is a man who used his Iron Man technology to bring about world peace, instead of using it for personal gain and who had enough trust in his personal assistant to name her as the new CEO of his company. Yet, this same man resorts to alcohol to escape from his demons and is thoughtless enough to give his new CEO strawberries as a gift – completely forgetting that she is allergic to the fruit. Downey Jr.’s performance as Stark seemed to be among the best comic book hero portrayals I have ever seen on the silver screen.

In one of the last scenes in "IRON MAN", Tony said the following to his personal assistant, Virginia “Pepper” Potts:

"You know, if I were Iron Man, I'd have this girlfriend who knew my true identity. She'd be a wreck, 'cause she'd always be worrying that I was going to die, yet so proud of the man I'd become. She'd be wildly conflicted, which would only make her more crazy about me."

In "IRON MAN 2" Pepper certainly discovered how stressful her life could be as the object of affection (or desire) of a celebrated costumed hero. Gwyneth Paltrow returned to the role of Pepper Potts, Tony Stark’s personal assistant-turned-new CEO of Stark Industries. And I have to say that the actress did a skillful job of conveying the stress and anxiety that threatened to overwhelm her character. One of my favorite scenes featured a moment when Pepper’s emotions finally overwhelmed her, as she tendered her resignation in an angry tirade.

As everyone knows, Marvel Entertainment had decided to replace Terrence Howard with Don Cheadle for the role of Tony’s best friend, Lieutenant-Colonel James “Rhodey” Rhodes U.S.A.F. I will not discuss the circumstances that led Cheadle to replace Howard. I will say that Cheadle gave a top notch performance as Rhodey. Do I consider him to be a better choice than Howard? No. I would say that the quality of both actors’ performances struck me as equal. Not that I find that surprising. Both Cheadle and Howard are excellent actors with a strong screen presence. I did notice that Cheadle’s sense of humor never had the opportunity to flourish, until the movie’s final scenes. And his screen chemistry with Downey Jr. did not seem as strong as the Downey Jr./Howard pairing. But he certainly did not disappoint.

I must confess that I have only seen Mickey Rourke in three other movies, besides "IRON MAN 2". Aside from his award winning performance in "THE WRESTLER", I was never that impressed by him. When I had learned that he would be cast as the main villain, Ivan Vanko, I had qualms about Jon Farveau and Marvel’s decision. In the end, I found myself very impressed by his performance. He managed to portray a menacing, yet emotional personality in a suitably low-key manner. However, I could barely understand some of his lines through the thick Russian accent. Sam Rockwell was as volatile as Rourke was low key. And surprisingly, his volatile performance perfectly suited his character, Tony Stark’s fellow defense contractor – Justin Hammer. What I especially enjoyed about Rockwell’s performance was his ability to inject a raging inferiority complex underneath the gregarious personality.

Scarlett Johanssen had the opportunity to strut her stuff as Natalie Rushman aka Natasha Romanoff aka the Black Widow, Pepper’s new assistant and S.H.I.E.L.D. agent. I must admit there were times I wondered if Johanssen’s character had a personality. It finally dawned on me that she simply possessed a no-nonsense persona that could kick ass. Director Jon Farveau returned as Tony’s bodyguard and chauffeur, Happy Hogan. Thankfully, he got to do a lot more in "IRON MAN 2", which included coming to Tony’s rescue with the Iron Man suit during Vanko’s attack during the Monaco Grand Prix, and assisting (somewhat) Natasha during the latter’s breach at Hammer Industries. Samuel L. Jackson’s role as head of S.H.I.E.L.D., Nick Fury, was increased in this second film. And all I can say is . . . thank goodness! I really enjoyed his strong screen presence and lively conversations with Downey Jr.’s Tony Stark. I got the feeling that the two actors really enjoyed working with one another (unless I happened to be wrong).

Clark Gregg returned in the role of S.H.I.E.L.D. Agent Coulson. Not only was he his usual quiet and assuming self, but also deliciously snarky. John Sterling of "MAD MEN" made an appearance as Tony’s father, the late Howard Stark, in old film clips viewed by Tony. Slattery’s Howard Stark struck me as lively and witty as Downey Jr.’s Tony. His performance made it easy for me to see the genesis of Tony’s own personality. And Gary Shandling tossed aside his usual comic persona to convincingly portray U.S. Senator Stern, a determined politician who wants the Iron Man armor in government hands. However, he was allowed a rather snarky and very subtle joke in the film's last scene.

As I had stated earlier, I was not that impressed by Matthew Libatique’s cinematography in ”IRON MAN 2”. Mind you, I did not find it terrible or a travesty to the art of motion pictures. But I cannot recall viewing any fantastic airborne sequences that were featured in "IRON MAN". Aside from Rhodey’s arrival at the Edwards Air Force Base in the War Machine armor, the movie did not feature any daytime aerial scenes, just slightly confusing nighttime sequences near the beginning and the end of the film. But, as I will point out later, there was one exception. However, I found most of the film’s action sequences very exciting – especially Vanko’s attack upon Tony in Monaco; the birthday brawl between Tony and Rhodey in the Iron Man and War Machine suits; Natasha’s fight against Hammer’s security guards; and the aerial chase sequence over the Stark Expo between Iron Man and the Vanko-controlled War Machine.

I could end the article with a recommendation to see "IRON MAN 2". But what would be the point? The movie had earned a great deal of money during its initial release. And I am certain that many movie fans have watched it on DVD or streaming. However, in case you have not seen it, I recommend that you do. Quite frankly, I consider it better than the 2008 film.





Thursday, December 11, 2025

"FIGHT NIGHT: THE MILLION DOLLAR HEIST" (2024) Photo Gallery

 














Below are images from the PEACOCK limited series, "FIGHT NIGHT: THE MILLION DOLLAR HEIST", the 2024 adaptation of Jeff Keating and Jim Roberts’ podcast, “Fight Night”.  Created by Shaye Ogbonna, the eight-part miniseries starred Kevin Hart:




"FIGHT NIGHT:  THE MILLION DOLLAR HEIST" (2024) Photo Gallery





























"LOST": The Death of Nathan

  (2.07) ”The Other 48 Hours”  is the 31st episode of  ”LOST”  that aired on November 16, 2005. This episode featured the Tail Section passe...